A Journey Between Worlds

Month: February 2019

Love, February 2019: Day 14

I have no ode to romantic love
I have no tales of warm beds and plump babies
This month I wrote and wrote and wrote
Hundreds of words on love and
None of them were of romance
Love with a capital nothing
A litany of loneliness, landscape and loss
Empty beaches, lost friends, battered paperbacks
The sunrise in beautiful unfamiliar places
The sunsets of relationships
The love of art in films and books and television
But with people?
Just an empty nothing
I love my family
I love my friends
But that love is complicated
It’s fiendish
It defies me, mocks me
Winds around my words
What is love?
Love is
Bad Indian films at Christmas with too much wine
Laughing so hard I wonder if I will ever stop
A cup of tea delivered on a cold morning
The afternoon in the pool
A crying child coming to you for a hug
It’s cooking breakfast at 5am and
Yelling at someone in your head instead of to their face
It’s
Boring
So ordinary
I can’t write it
It just is

Love, February

Love February 2019, Day 13

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You sit on my bookshelf even after all these years.
You are worn; your cover lined and cracked and your pages thinning and drying out like aged skin.
You were nothing but a cheap paperback even then but somehow you’ve aged gracefully despite it.
Of all the books from my childhood you were the one I returned to again and again: each time I dove down was a new experience coloured by my extra years and experience.
Even now I see you for what you were and are; a cracking good yarn by a young and inexperienced writer. No wonder you spoke to me when I got you at the age of ten.
You were a post-apocalyptic young adult novel started a good 40 years before the Hunger Games existed and long before that was recognised as a genre. You were conceived even before I was and the years and years it took for you to be published show how long it took for the world to catch up to you.
You had the rawest of young adult themes; difference, alienation and a fear of how people would react when they saw the real you. Somebody is out there, you said, one day you will find your people.
You were the book I first thought of when the time came for me to buy novels for my nieces and nephews years later. But what a glorious realisation I had then! You had sequels! I had never known.
I bought you for each of them in turn, oldest to youngest, as soon as they reached their first decade. And they loved you just as much as I had. And hated me for introducing you to them. Your sequels were still being written, the series unfinished.
“How dare you, Aunt,” they cried, “Why introduce us to this wonder if the story is not yet done!”
“Mea culpa,” I said, “mea culpa. I DID NOT KNOW.”
I didn’t like the sequels anyway. When I finally sat down to read them I found them forced and contrived; sequels for the sake of sequels. Like Highlander, I will just pretend there was only one.
Because that is what you are.
The only one.
The one I still sit down and read again. The one book on my shelf that has been read almost to death. Read even more times than my collection of Terry Pratchett novels. Loved even more than my copy of The Name of the Rose.
I pulled you off the bookshelf again today.
I think I might read you again.
Thank you, Obernewtyn.
For being with me all these years.

Love, February

Love, February 2019: Day 12

Mum calls to tell me about her dream
She’s trapped in a cage and phones are ringing outside it. She cannot reach them to answer them but they keep ringing and ringing and there’s nothing she can do about them.
She sees her doctor outside the cage and she begs him to let her out to answer the phones.
He says he doesn’t have a key. Only she has the key. Only she can get herself out.
But she knows the truth. She doesn’t have the key. There is no key, no way out. She’s trapped in that cage, bars between her and the rest of the world for life.
There is nothing anybody can do about it.
I remember the night she first had the stroke.
We went to the hospital. She’d had her clot busting drugs and we crowded around her in the emergency room.
She was awake, alert, bright, grateful to be there. She thanked everyone for getting her help so quickly.
The slurring was gone; her face normal. She was normal. She seemed normal.
Now I realise we were watching her brain die. That clot, unbroken, unmoved, killing off her cells as we watched unknowing.
A black wave washing over her brain as we were talking to her.
Strokes are quick. The effects take longer. What would have been if we’d removed the clot then? If the drugs had worked? If targeted removal had been rolled out through the system? If she’d had her stroke one month later. Two months?
If. If. If.
No. That way lies madness.
Blame was the first thing on everybody’s minds. Guilt and blame. But guilt and blame achieve nothing. They’re emotional dead ends.
Mum went off Warfarin for her overseas trip. But Mum also had the memory of that trip, her dream trip, the one she’d wanted since she was a child.
Which is more important for a life?
The things is, this was all four years ago now. Four long, painful years.
An accident or an illness – however stressful, painful or exhausting – ends. It ends. Things revert. Things settle. Things change but they also change back.
When someone you love dies, a hole is blasted in your life but then that hole fills in. Space abhors a vacuum. The hole will still be there: the edges clear even after your repair. You can see it out of the corner of your eye, feel it as you walk over it. It’s just that now you won’t fall in.
Grief after death, to extend this metaphor, is like earthworks. Done right, your foundation is secure. You know that the work is done: you can see the cracks around it, feel the place where the hole was dug and then filled in. But one day, eventually, you’ll walk over it and realise that you’re no longer in danger of falling in.
Strokes are the opposite of death.
Strokes dig the hole and then ask you to pretend there is no hole. Strokes take somebody you love and know and replace them with somebody else.Those changes can be small, they can be fine, they can be subtle. Impulsiveness. Candour. A new struggle with irony or missing social cues.
Or those changes can be gross, they can be large, they can be stark. Social inappropriateness. Lack of empathy. Self-absorption. Crassness.
As humans we have a great capacity for rationalisation. But trying to grieve and to celebrate at the same time? Trying to be happy a loved one is alive while grieving for the person that isn’t there any more? That is a cognitive dissonance at which even the most nimble of us fail. Strokes ask us to dance on the hole as though it isn’t there.
It’s Christmas and Mum is crying in the bedroom because she has so many things to do for Christmas Day and nobody will let her do them. Anosognosia is a symptom associated with a right hemisphere stroke. It’s a condition where a person who suffers a certain disability is seeming unaware of it. To this day, Mum insists that she can walk, it’s just that Doctors or her nasty family won’t let her. Over the years, her Anosognosia has gotten better but there are still days like this when she’s upset and confused as to why we won’t “let” her do the things she wants to do.
It’s heartbreaking.
It’s exhausting. I’m exhausted.
I love you, Mum
I miss you, Mum
I’m glad you’re alive
I’m sorry you’re gone
Love, February

Love, February 2019: Day 10

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I love trash.
I’m a trash roomba
I lurk across the floor of dramaland ready to suck up trashy shows whenever I’m lucky enough to find them.
Why do I like trash so much? And while we’re at it, what even is trash? How do you define trash?
I think it says something that good trash, like good art, defies description. You just know it when you see it.
I may not know much about trash but I do know what I like.
First and foremost, trash has to be fun. It can’t be boring. About Time, for example, was bad trash because it was boring trash. Even the actors looked bored. About Time was one long, unfolding realisation that everyone was stuck in a bad drama and there was nothing they could do about it. Good trash doesn’t know it’s trash or it at least embraces its trashiness with glee.
Risky Romance? Blood? Even Trot Lovers? These are various forms of good trash.
But my love of trash predates Korean dramas by several decades. At Uni, I would celebrate the end of my exams with trashy romance novels. When I was unwell, I would inhale bad sci/fantasy television.
To this day, my favourite piece of trash is the Sci-Fi Channel’s hilariously awful 2007 reimagining of Flash Gordon. Never heard of it? No one has. My brother gave it to me to watch when I was recovering from dental surgery and – maybe it was the drugs – but I loved it. Every cringey awful second of it. It even ended on a cliffhanger but with only three people watching it a second season was never going to happen.
To this day when I’m feeling unwell out comes Flash Gordon. Sure I fast forward through at least the first six episodes (and any time they decide we might want to know what’s happening back on Earth – we don’t). But this is great trash, people. This is a comic book meets a gay floor show meets pulp fiction. This is bad actors running around cheap sets in funny outfits while extras plucked from the local weightlifting circuit pretend to be birds in the background or run around painted blue.
So what makes Flash Gordon good trash while other similarly-bad shows are just trash? For a start, underneath all the silly there’s quite a good, quite an interesting story going on here. Flash Gordon isn’t a hero in this so much as an impetus. He’s a stone thrown into a pond that then ripples out. Everyone loves him, of course, and he’s the ultimate walking American Ideal. But this Flash does nothing alone. If anything, his main skill is inspiring people to act themselves and bringing them together. Flash isn’t Mongo’s Great White Saviour, Flash just believes that Mongo can save itself and so the people of Mongo eventually do too.
Nobody yells out, “Flash I love you but we only have 14 hours to save the Earth”. They’re more likely to yell, “I have Flash’s support in my quest to save Mongo”.
It’s an extremely appealing subversion of the usual superhero tropes. Flash doesn’t save the day and get the girl. Flash is there supporting and nurturing those who save the day and is willing to let the girl make her own decisions about these things, after all she’s been through a lot. Also his love interest is the weakest character and the weakest actor and I kind of hated her so I was glad the romance thing never loomed large.
But there it is, Flash is a nice guy but never a Nice Guy. He was never bothered with strong women kicking ass and saving the day, if anything he admired them for it. His best friend in Mongo is a better fighter and he thinks she’s awesome. His other best friend is smarter than him and he thinks he’s awesome. His ex seems to have moved on but is doing well and he’s genuinely happy for her. And his eye rolling frustrations with the crazy of Mongo were kind of funny, even if Eric Johnston was never the world’s greatest actor.
So maybe good trash is just trash that makes you want to watch it despite it being trash. Maybe it’s just a show that draws you in even with its trashiness. Maybe you have your own type of “good trash” just as everyone has their own type of “good art”.
But for me, I unabashedly admit that I love trash.
Love, February

Love, February 2019: Day 8

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I stood overlooking Machu Picchu at the top of the world. I saw the fog rolled back and the past revealed. I watched the sunrise over Angkor Wat and the Taj Mahal and climbed the Eiffel Tower.
I saw the remnants of civilisation buried at Easter Island, was shuffled around the enigma of Stonehenge and kicked Hadrian’s Wall. I saw the pyramids and the Sphinx and rode a donkey while guarded by boys with scary guns.
I climbed to the Acropolis and the Parthenon and sat writing my journal at Delphi before wandering through the preserved cemetery of Pompeii and the restored city of Ephesus. I took a bus through the Balkans and stood on the beach at Split and the mountains overlooking Dubrovnik and wandered at the beauty in the heart of human chaos.
I ate breakfast soup for 20 baht at Kanchanaburi and scooped Tagine with sopping bread in the Sahara desert. I ate guinea pig in Peru and cake and cake and cake in Hungary and Vienna. I rode camels in India and elephants in Thailand and only later wondered if I should have. I camped with the Berbers and shopped at the night markets in Luang Prabang and sailed in the polluted waters of Halong Bay.
I did karaoke drinking cheap Thai whisky in a dive somewhere near Chang Rai and danced to Come On, Eileen at London’s Walkabout. I had a DJ in a strange bar in the south of Ireland insist on playing Downunder ten times when he found out where I was from and was forced to participate in a magic show on a ferry to Wales. Wibbly! Wobbly!
I did Hogmanay and drank hot chocolate In Bruges and ate wurst in the Christmas market in Munchen. Took a train through the majestic beauty of Switzerland and skied in Andorra.
I lived in a four-bedroom house with 10 South Africans, shared beds with strangers and even survived a night in a Greek youth hostel that was bug central. I stayed in a gorgeous room in the Intercontinental in Singapore and drank martinis in the exquisite cocktail bar with hiking boots on. I got upgraded to business class coming out of the Amazonian jungle and sat in the lounge covered in DEET and sunscreen with clothes (and a body) that hadn’t been washed in four days. I fell down a mountain in Borneo and had to walk 10km down the Headhunter’s Trail covered in bruises before I could get a soft bed.
I had food poisoning on an Egyptian train with a broken toilet and “Bali belly” in the Indian desert with only a hole in the ground and one roll of toilet paper.
I got marched off a train in Macedonia with a semi-automatic in my face and nearly didn’t make it through a mountainous Montenegrin checkpoint at midnight in the middle of winter, snowing.
I negotiated a hair cut in Kosovo and a shower in a pension in Morocco with sign language and somehow got both. I got lost in a medina and took the wrong tram in Bratislava and both times got shown kindness and consideration and random acts of generosity from total strangers.
I saw the sun set over Santorini, gazed at the beauty of Cappadocia and sailed through the geological and biological wonder that is the extraordinary Galapagos.
But most of all, I stood shivering on a ship to the end of the world. I saw the majestic wonder of the pristine seventh continent. I moved silently and respectfully through giant tabular icebergs and floated past seals and penguins surviving in the most remote parts of Earth.
And as I came back into Ushuaia I almost cried at the sheer beauty of everything.
This is love.
I love this world.
Love, February.

Love, February 2019: Day 3

Love of Place

Morning walk to the beach
Sun rise over the bay
A cup of hot tea in my hands
I slide into the warm water
I bask in the early morning light
I am at peace
I am at home

Love, February

Red on Blue by Stringmansassy

Red on blue
Is the kiss of the dawn
Night is old
And the morning is born
Long night leaving
Shadow turning away
At the edge of day

https://www.youtube.com/watch?v=hpTD-S76OGc

Love, February 2019: Day 2

How I learned to stop worrying and love the television

Maybe it’s because I had a large, active family. Maybe it’s because free-to-air in Australia in the 1980s wasn’t very inspiring. Or maybe it’s just because books were a way to take some time to myself in a household that was slightly short of chaos but somehow regimented too.
Either way, I never liked watching TV.

Television seemed to be something people watched just so they could talk about what they watched – not something they actually enjoyed. It was even something they seemed ashamed of, as though it was the low-rent equivalent of a superior activity like the theatre or even the cinema.
We were supposed to look down on TV watchers and, I admit, I kind of did too.

The world was a giant library of books to discover and for some reason my library, school and parents didn’t seem to worry about what I borrowed.
Seriously, when I think back on what I read at a young age – wow. Forget parental controls on the television and computer, they should have had them at my local library.
Television shows really couldn’t compete with the technicolour worlds I could build from words in my head.

But in highschool I discovered Press Gang. I still remember racing home from school. If I timed it right, I’d hit my couch just as Press Gang started. Still in uniform, bag at my feet, turning on our national broadcaster – affectionately named ‘Aunty’ – to watch the adventures of British highschool students who started their own newspaper while my Dad yelled at me from the kitchen to get changed out of my uniform. Not happening until after Press Gang, Dad. Not. Happening.

I wanted to be a journalist at this point in my life and so I loved Lynda Day to death – the badass editor who lived and breathed news and her sometimes boyfriend, the delinquent Spike. If we were speaking in modern terms, she’d be tsundere: cold (and sometimes even hostile) before gradually showing a warmer, friendlier side over time.
Although those who watched to the end might wonder when the ‘warmer, friendlier’ side was supposed to start.

When Buffy the Vampire Slayer started I found myself with a new TV show I couldn’t wait to watch each week. On too late at night for this early bird, I used to tape it on VHS and then watch it first thing in the morning, huddled under the blankets with a coffee.
Buffy was my first real televisual love, the one where I couldn’t wait for each week and the end of every season left me both utterly satiated but also wanting more.

This is not the moment I realised that television could be the ultimate art form. That came later. After another 15 years or so of consuming culture in some point. But it was the start of that realisation.

And I know this is a radical notion. Television? Not cinema, not theatre, not books, not other forms of art. Television could be the ultimate form. Yes, I said it. There have even been times in my life when I meant it.

Television: the combination of words, images and music in long-form storytelling. A kind of natural progression of epic tales that have defined us since the beginning. What movies could be if they didn’t condense a story so much. What books could be if it had access to filmic cinematography.
Books in 3D.

All the arguments and wrangling and essays we write are because of the interpretive licence given to us by television’s natural ambiguity. A book tells us what’s in a character’s mind – a television show can only hint at it. And it’s not just that the natural ambiguity leads to arguments or to us projecting ourselves onto the characters. It’s that television is more like life.

We don’t walk around with a narrator telling us what people are thinking. We are surrounded by other beings whose thoughts we must induce by their words and their actions. We naturally live in the world represented by television more than we are in the world of any other medium. Life is like a story being projected all around us but it doesn’t have a run time of 120 mins and it doesn’t have allotted seats.

Our life is long-form. Our life is episodic but also ongoing. Our life combines sights and sounds and smells. And our life involves us trying to know the people around us imperfectly. Life is also an argument about meaning in the same way a scene of television is.

What stuns me the most about how we see television culturally is that we still see it as an inferior art form, rather than what it could be – the ultimate one.

We still fill our screens with The Bachelor and Neighbours and The Real Housewives. And that’s fine – our lives still have fast food and Saturdays spent on recliners writing fan wall posts on the meaning of television.

But there is the pervasive sense that television watching is something to be ashamed of. That somehow a trip to the theatre or the museum or the art gallery is a “superior” use of our time.

But great television can teach and challenge and inspire just as much as other forms of art can. And it can do in a way that’s more analogous to how we lives our lives.

And that’s why, at this time in my life, I’ve finally learned how stop worrying and love the television.

Love, February

Suckerpunch

She took his advice, rolling out of bed into running shoes the next morning and pounding down the firm sand with her cheap sneakers. She was fitter than she had thought. Those years of gymnastics and ballet had done more for her than she\’d realised. 

When she got back to the room, she was a limping puddle. He was still asleep; sprawled full-length across the bed in loose shorts, no shirt. He\’d rolled over once she left the bed and now took up all of it. Like her cat used to do; claiming his territory.  This time unconsciously so.

He had such energy when he was awake: always in movement, alive and vibrant, even when he was still. Suppressed violence or something that looked like it. He hummed like a walking tuning fork. There was no ignoring him. He was the totality of every room he walked into.

Asleep, he was strangely still. Calm. Limpid. But still completely there. He was still the whole room. The world was smaller, more manageable with him in it. 

Her eyes moved along the serpent on his shoulder and his arm to where his hand rested on his stomach. Almost flat but not quite with a small swell above his hip and under his belly button. Imperfect perfection. A small smattering of hair. The hip bone rising slowly out of the faded black shorts.

She was staring. Her eyes travelled further and she shivered and started: the sweat beginning to cool her down too much. She was staring and had been for too long. There was something unfair about it. Even creepy. Like spying. Or stalking.

She shook herself out of her reverie and walked into the ensuite. She remembered the tiny motel shower from before; the cracked yellow tiles and the rusty water pooling at her feet; the  blood melting off their bodies. She turned on the shower and felt the water hit her.

Intimacy was a strange thing. A shower with a stranger should have been… something else, something different. Yet staring at him sleeping had felt different to that night she’d stood under that water in that decrepit motel. She remembered hanging on to him as he\’d smoothed the caked blood off her skin. How his skin has felt under her fingers as she mirrored him. It had been strangely sexless. The water had drummed her head like a massage as it lay below his shoulder blade; pressed close against him. Holding on for dear life. 

Every night she crawled in behind his warm back; her arms on his chest while he muttered complaints. She had her own damn bed and should bloody well use it, he said. But he never went so far as to physically throw her out. 

Yet the real moments of intimacy came when they weren\’t close. When she wasn\’t cocooned in him. When she felt less secure, less safe. 

From across the room. Or the dinner table. From the water, looking back at him on the beach. Long brown limbs, tattoos swirling. The imperfection of his long face and dented nose. Suckerpunch.

Like now, the warm water falling on her face and him asleep in the other room. She couldn\’t even see him but he was there. Even more than when she slept, head pressed against his back, arm slung below his.

She\’d run 2km this morning. She needed to be better than that. He\’d been right. She\’d never be able to fight like she wanted to without better strength and fitness. And maybe boxing was the wrong discipline. The resort had everything. A gym. Surfing. Diving. Had she seen a group on the beach this morning doing martial arts? Maybe that was it. Nobody messed with a black belt. Did they?

\”What do you think about karate?\” she asked him as she forced eggs into her mouth and followed it up with yam.

He shrugged and sat back, watching her eat.

She paused, \”You\’re not eating.\” 

\”I had some toast. Coffee is fine.\”

\”So you cooked this for me?\”

He shrugged again, \”You seemed hungry.\”

\”I ran this morning. Tomorrow I think I\’ll have a swim as well.\”

\”This new health kick isn\’t because of me, is it?\”

\”Of course,\” she turned back to her meal as she answered, \”Strength and overall level of fitness. Right?\”

\”OK. Well, in that case, yes. I had a mate who did Tae Kwon Do. But he was a man.\”

\”What the hell does that mean?\”

\”He lacked balance and flexibility. That\’s not your problem, ballet girl.\”

She nodded and ate eggs, deciding she couldn\’t take offense at that.

\”Lower centre of gravity.\”

He nodded his agreement, \”See your problem is lack of strength. And endurance. Martial arts won\’t give you that.\”

\”But it will give me a martial art. Right?\”

\”Meg, if you want to take up karate or some other Kung Fu bullshit I\’m not going to stop you. It\’s not like it isn\’t good exercise. But you asked me to train you. Alright? That\’s why we\’re here. And I can\’t help you with that. 

“Life, alright, life is not a fucking Bruce Lee film. The bad guys don\’t bow or have honour or whatever bullshit they feed you. And they don\’t all stand back and attack one at a fucking time. If someone comes at you, they\’re gonna come at you with what they have. It\’s gonna be dirty. It\’s gonna be killed or be fucking killed. And it sure as shit isn\’t going to have any motherfucking rules. So it\’s up to you. What do you want? Do you want to say you have a black belt? Or do you want to survive an actual fight?\”

\”I want to do both. Why can\’t I do both?\”

\”You won\’t have time to do both.\”

\”I\’ll make time,” she said defiantly.

And expected him to argue or roll his eyes but he didn’t.

He just nodded. And she felt it again. 

Suckerpunch.

Love, February 2019: Day 1

He insisted we eat at MacDonalds, even though he knew I hated fast food.
He insisted I read books on astrology even though he knew I hated superstition.
He told me “men need to be needed and I don’t like that you don’t need me”.
He told me “Don’t return that book until you’ve read it”.
Five years later I found it and finally threw it out. His number was long gone by then.

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